Unframed | OchoReSotto
Sound for the nstallation Unframed by OchoReSotto at Kunsthalle Graz 13.3.2024 - 9.4.2024
Sound originally for A.D.D.I.T.I.V.E by OCHORESOTTO, originally in four channels in a two channel version.
Sound for the nstallation Unframed by OchoReSotto at Kunsthalle Graz 13.3.2024 - 9.4.2024
Sound originally for A.D.D.I.T.I.V.E by OCHORESOTTO, originally in four channels in a two channel version.
An idk production:
Music Machine
20.01.2024 15h15 - Anbau Lehár Theater
Kaiser-Franz-Josef-Straße 7, 4820 Bad Ischl
Seppo Gründler - Guitars, electronics, gadgets.
plays the music machine build by students of the
Master degree program Communication, Media, Sound and Interaction Design
with some interventions by Nick Acorne
Arts Birthday at ESC 17.1.2024
Seppo Gründler performs:
Happy birthday - and another hundred years
a birthday serenade for art, created with the help of analysis, resynthesis and AI-supported recomposition of the Oberkrainer birthday serenade.
Live with guitar and electronics.
screening of IMAfiction portrait #10 Elisabeth Schimana
by Seppo Gründler and Johanna Moder
at Echoraum 9.1.2024 20h
A STIO production:
Thu 14.12 - Bremen Impro meeting - SCHNINF (schnell und informell)
Josef Klammer - Percussion, toys, electronics
Seppo Gründler - Guitars, electronics, gadgets:
Nick Acorne - piano, electronics, gadgets
Annette Giesriegl - vocals
Anna Grenzner - cello
Seppo Gründler - guitar, electronics, gadgets
Roman Trubchaninov - Saxophones
4th of Dec. 23 20h Stockwerkjazz
Jakominiplatz 18 Graz
a STANIM/STIO production
An open music production:
Thu 5.10 - Tue 24.10.2023 Geo located Audio Zinzendorfgasse-Forum Stadtpark
concerts Oct. 24th. 14:00, 16:00, 18:00, 20:00 Form Stadtpark
Josef Klammer - Percussion, toys, electronics
Seppo Gründler - Guitars, electronics, gadgets:
Gruppierungen 02 (Teppiche Wasseroberflächen)
Seppo Gründler / Robert Lepenik / Bernd Oberdorfer
https://www.kultur.graz.at/kalender/event/1696582389
Atelier 12, Münzgrabenstraße 24, 8010 Graz 12.10.2023 19h
Gruppierungen 01 (Stühle Verhör Fahrten)
im Rahmen des Festivals Silent Movie Jam
https://art.ists.at/events/seppo-gruendler-robert-lepenik-gruppierungen-01/
ARTist’s , Schützgasse 16, 8020 Graz, 11.10.2023 20h
For the groups of clips, the artists Seppo Gründler and Robert Lepenik build a collage of deserted scenes - some newly shot, some found footage - which they assembled according to musical aspects. Then the music was created - according to cinematic criteria.
7.3.2023 20h - Stockwerkjazz Graz
Styrian Improvisers Orchestra featuring Khrystina Kirik
This evening the Ukrainian base player and composer Khrystina Kirik conducts and performfs with the STIO
The follow up of the former vnm festival - the
ST/IO Festival -
was happening at Stockwerk, Volkskundemuseum/Heimatsaal and Forum Stadtpark from the 15 to the 17 May in Graz.
I was happy to participate with the ensemble Ukraine Два
FLICKERTUNES 3 - 11/25/2022 8 p.m at City 46 Bremen
For the groups of clips, the artists Seppo Gründler and Robert Lepenik build a collage of deserted scenes - some newly shot, some found footage - which they assembled according to musical aspects. The first film made exclusively for Flickertunes. Then the music was created - according to cinematic criteria.
Komposition: Seppo Gründler, Robert Lepenik, Eva Ursprung
Lokführer: Martin Brachvogel
Produktionsleitung: Natalie Pinter
finally happening 17.5.2022 20h - Stockwerkjazz Graz
Styrian Improvisers Orchestra meets GGRIL
Looking forward to a two set concert, first featuring GGRIL alone, then the big orchestra, where STIO meets GGRIL GGRIL is a motley crew of joyful musicians from a small town of Rimouski, in eastern Quebec (Canada)
unfortunately due to Covid-19 postponed to the future - maybe at Stockwerkjazz Graz
doing realtime interactions with Volha Hapeyeva, poet, writer, thinker, translator and linguis and her texts The issues that Volha Hapeyeva deals with are not the easiest: the war. The death. The gender ratio. But it does not make it difficult for the reader to follow her lyrical examination of these topics. Hapeyeva’s language draws its strength from sometimes almost laconic simplicity.